Department of Music

Graduate Students

Music & Multimedia Composition

  • photo of Nick Bentz

    Nicholas Bentz

    Nick Bentz (b. 1994, Charleston, SC) is a composer and violinist whose art is drawn to the remote fringes and recesses of human experience. In his work he seeks to render intimately personal spaces imbued with an individual sense of storytelling and narrative. Finding inspiration in historical materials, Nick's work often explores the destructive relationship between sound artifacts and time. His art centers around the blurring, juxtaposition, and amalgamation of stylistic idioms into singular sonic statements. Nick holds a BM in composition and violin and an MM in violin from the Peabody Institute, and an MM in composition from the University of Southern California. nickbentz.com

  • photo of Kamari Carter

    Kamari Carter

    Kamari Carter (b. 1992; lives and works in NYC) is a producer, performer, sound designer, and installation artist primarily working with sound and found objects. Carter's practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Driven by the probative nature of perception and the concept of conversation and social science, he seeks to expand narrative structures through sonic stillness. Carter’s work has been exhibited at such venues as Automata Arts, MoMA, Mana Contemporary, Flux Factory, Fridman Gallery, Lenfest Center for the Arts, and Issue Project Room, to name a few. Carter holds a BFA in Music Technology from California Institute of the Arts and an MFA in Sound Art from Columbia University. 

  • photo of Inga Chinilina

    Inga Chinilina

    Inga is a composer, intermedia artist, and a pianist. Originally from Moscow, USSR, Inga holds a BM in Composition and Performance from Berklee College of Music and an MFA in Theory and Composition from Brandeis University. Among her interests there are early music, non-tempered sonorities, and live electronics.

  • photo of Adeliia Faizullina

    Adeliia Faizullina

    Adeliia Faizullina is a Tatar composer, vocalist, and multi-instrumentalist. She explores cutting-edge vocal colors and creates vibrant atmospheres praised as "vast and varied, encompassing memory and imagination" (The Washington Post). Her works have been performed by Jennifer Koh, the Tesla Quartet, Orpheus Radio Symphony, Seattle Symphony, Albany Symphony, Ashley Bathgate, and the Del Sol Quartet. Adeliia holds a BM in Voice from Kazan, Russia, a BM in Composition from Gnessins Russian Academy of Music, and a MM in Composition from the University of Texas at Austin.

  • photo of Lee Gilboa

    Lee Gilboa

    Lee Gilboa is an Israeli composer, artist and audio engineer. She completed her BM at Berklee College of Music, and her MFA at Columbia University. In her work she uses speech, audio spatialization and vocal processing in order to address themes such as identity, gender, naming and objectification. Lee is co-curating CT::SWaM's ExChange series with Daniel Neumann and presented work in venues such as Qubit Gallery, The Cube at Virginia Tech, Fridman Gallery, Fourth World Festival, and Resonance FM Radio among others. Lee’s debut album was released by Contour Editions during the summer of 2019.

  • photo of Will Johnson

    Will Johnson

    Will Johnson is an audio artist from the Bronx, New York. His work centers on blackness -- the material and immaterial conditions of space that shape sound into movement and historical record. He holds a B.A. in Interdisciplinary Studies from NYU-Gallatin. He is the recipient of the Jerome Foundation Fellowship for Sound Art/Composition (2018) and the McKnight Foundation Fellowship for Musicians (2019). His commercial work includes licensed sound for Acura, Beats Electronics, HBO and collaborative contributions to 2016 grammy-winning best electronic album Skin. His live performances have been commissioned by Lincoln Center, the Kitchen and MASS MoCA.

  • photo of Bonnie Jones

    Bonnie Jones

    Bonnie Jones is a Korean-American improvising musician, poet, and educator working primarily with electronic sound and text. Her work explores noise, sonic identity, listening, and sound as knowledge. She received an MFA from Bard College in 2012 and was the 2018 recipient of the Foundation for Contemporary Arts Grants to Artists Award.

  • photo of Queen Scott

    Queen Scott

    Queen D. Scott is an unconventional hip-hop educator and MC with a mission to empower and inspire authenticity from the stage to the classroom. As an artist, Queen D. Scott deftly combines her classical background as a pianist, her fluency in technology and production, and her lifelong fascination with wordplay to immerse you in her lyrical and musical storytelling. As an educator, Scott roots her teaching in the examination of cultural context and social trends that challenges her students to investigate art beyond technique to expand their creative expression through deep understanding and integrity. Queen D. Scott’s talent and expertise have taken her around the world as a teaching artist giving master classes and workshops in hip-hop history and lyrical analysis, as well as R&B and hip-hop vocal performance.  Currently, Scott serves as a professor in the Ensemble Department at Berklee College of Music and has recently released a hip-hop/soul version of the Black National Anthem, "Lift Every Voice,” that is available on all streaming platforms.

  • photo of Nontokozo Sihwa

    Nontokozo Sihwa

    Nontokozo F. Sihwa is a composer, sound designer and interdisciplinary artist. She has contributed sounds and music to a range of projects including releases on AD93, NON Worldwide and Optimo Music, installations for Hyperdub and the Institute of Contemporary Arts; and scores for Channel 4 and the National Theatre of Scotland. In 2021, she won the Oram Award for innovation in music and sound technologies. Trained as a mathematician, she brings both a boundless curiosity and exacting precision to her work: she developed a “pirate AI” opera as a Fellow of CTM Festival in Berlin, and led a workshop on radio transmitter building at Moogfest in North Carolina. Nontokozo draws on her interest in Italian futurism, posthumanism, and the phenomenology of radio communication. These inspire her otherworldly and distinctive music. She has performed at numerous festivals and events across Europe and North America.  She has also lectured and given workshops at universities and cultural institutions including Berklee College of Music, Slade School of Fine Art, Moogfest, Somerset House Studios, Tate Britain and the V&A Museum. She studied mathematics at McGill University and the University of Glasgow, where she was a prize-winning student. Her desire to get inside music led her onwards to study electronic engineering, alongside music, and she holds an MMus from Goldsmiths’ College, University of London (pending). Clients for syncs and commissioned work include Burberry, Star Alliance and the Royal Docks. She was featured in the FACT Magazine and British Council Documentary, Sonic Futures.

  • photo of Jake Sokolov-Gonzalez

    Jake Sokolov-Gonzalez

    Jake Sokolov-Gonzalez is a musician and educator from New York City whose practice is based equally in free improvisation and tedious technical labor. He’s currently working on very-close-miked, very quiet cello music; a distended piano score for a short film; and a rolling drum’n’bass visual record. He’s been teaching creative music in the NYC public schools since 2013. He produces pop and dance music under the name BABL.

  • photo of Amber Vistein

    Amber Vistein

    Amber Vistein (b.1984) is a composer and sound artist who delves deeply into the poetics of timbre, texture, and gesture. She has been praised for her conceptual “acuity” (Big, Red, and Shiny) and “blooming phrases” (New Music Box). Her work spans acoustic composition, opera, cinematic sound, and sound installation. Amber holds a B.A. in Music & Philosophy from New College of Florida and an MFA in Sonic Arts from Massachusetts College of Art. She was also a 2017-19 Composition Fellow with American Opera Project’s Composers and the Voice program. Her dissertation project, a multi-media chamber opera entitled Dark Exhalation was recently awarded grants from the Brown Arts Initiative and New Music USA.

Musicology & Ethnomusicology

  • photo of Melody Chapin

    Melody Chapin

    Melody is a doctoral candidate of Musicology & Ethnomusicology in the Brown Music Department. Her dissertation studies loud music listening practices in Washington DC's public spaces. She has also studied Brazilian opera and art music of the nineteenth and twentieth century. Her broader interests concern sound studies, music of the African diaspora, Western art music, and postcolonial and decolonization studies. Melody has a BM in Voice Performance (University of New Hampshire), an MA in Musicology, (Tufts University), and an MA in Ethnomusicology (Brown University).

  • photo of Ruby Erickson

    Ruby Erickson

    Ruby Erickson is a student in the Musicology and Ethnomusicology Ph.D. program at Brown University, and is a graduate of St. Olaf College with a B.A. in Music and French. Ruby's scholarly interests include music, migration, and diaspora; eco-musicology; and engaged musicology. Most recently, she has performed research in collaboration with the Somali Museum of Minnesota, focusing on the intersections of diasporic identity and gender in Somali dance.

  • photo of Katie Freeze

    Katie Freeze

    Katie studies the diverse music cultures of the mountainous “roof of the world” of South and Central Asia. She plays the Western Tibetan ko-phongs and the Pamiri rubob and tanbur, and her doctoral project explores contemporary musical performance and representation among Ismaili Muslims living in post-Soviet, Tajik Badakhshan. Katie holds music degrees from the University of Washington and, before coming to Brown, worked as a pianist, composer and arranger.

  • photo of Marcus Grant

    Marcus Grant

    Marcus Grant is a professional drummer, percussionist, musicologist, and educator from West Chester, Pennsylvania. He holds a BM in jazz performance from Temple University, an MM jazz performance and an MM in musicology from the University of Miami (FL). His research focuses on Black Lives Matter protest music and hip-hop, and the intersections of musical protest and digital culture. Other research interests include jazz studies and music in the Black church.

  • photo of Alexander Hardan

    Alexander Hardan

    Alexander Hardan is a PhD student in Musicology & Ethnomusicology at Brown University, where he works on Soviet musical pedagogy and performance as an instrument of “Sovietization” in Cuba during the Cold War. Specifically, Hardan focuses on discourses of Soviet “national sounds” and choreographies of virtuosity produced in Soviet Cuba, and the subsequent effects of this musical Sovietization on the Cuban state’s ideal revolutionary subject. Outside of the Cold War, he is also interested in performance studies and queer theory, namely the ways in which normative ideas of gender have conditioned ideas of virtuosic performance. Hardan holds a B.M. in Violin Performance and M.M. degrees in both Violin Performance and Musicology from the Peabody Conservatory of the Johns Hopkins University, as well as an M.A. in Ethnomusicology from Brown University.

  • photo of Devanney Haruta

    Devanney Haruta

    Devanney Haruta is a PhD candidate in Musicology & Ethnomusicology. Her research focuses on musical instruments, interfaces, and technologies, particularly as material objects embedded with cultural and personal meaning and as sites of interaction and experimentation. She earned an M.A. in Ethnomusicology from Wesleyan University, where she worked with the World Instrument Collection, and an A.B. in Music and Math from Brown University.

  • photo of Annie Kim

    Annie Kim

    Annie is a Ph.D. candidate in Musicology & Ethnomusicology at Brown University. Her research sits at the cross-disciplinary intersections of voice, sound, and performance studies, with a particular attention to issues of race, gender, materiality, and technological mediation. Annie holds an M.A. in Music from Tufts University, where she completed a thesis titled, “Voice, Embodiment, Becoming: Camilla Williams’s Performances and Negotiations of Black Female Subjectivity from Butterfly to Bess.”

  • photo of Ravi Krishnaswami

    Ravi Krishnaswami

    Ravi Krishnaswami is a PHD student at Brown University studying how technology, business, and culture intersect in the work of creating music for advertising. He is an award-winning composer and sound-designer for advertising, television, and games, a business owner, and guitarist in NYC’s tribute to The Smiths. His composition work has appeared in the Super Bowl, on networks including ESPN and HBO, and in AAA video game soundtracks such as Fallout and Dishonored. He studies sitar with Srinivas Reddy, and recently premiered works for acoustic instruments and live processing, under the supervision of Lu Wang and Butch Rovan.

  • photo of Jay Loomis

    Jay Loomis

    I play and construct a variety of wind instruments that I make out of wood, ceramics, and 3D printed materials. I also compose and record my own works, often in parks and outdoor areas where I can combine the sound of flutes with the sonic environment that surrounds me, from cityscapes to mountain streams. Some research areas of interest include organology, flamenco, coloniality, critical race theory, indigeneity, and musics of the Americas.

  • photo of Shirley Mak

    Shirley Mak

    Shirley Mak received her B.A. in Music from Queens College, CUNY, and her M.A. in Musicology from the University of Amsterdam. She is interested in issues of race, identity, and cosmopolitanism in the field of Western classical music, particularly in the experiences of Asian and Asian-American musicians. She would like to learn more about the history and practice of Western classical music in China and other “non-Western” countries.

  • photo of Christopher Newman

    Christopher Newman

    Christopher Newman is a Ph.D. student in the Musicology and Ethnomusicology program at Brown University. He is especially interested in the roles of music and sound in systems of inequality and, particularly, their intersections with race, class, and gender. His research is often applied in nature and is fueled by activism and a desire for social justice. Thematically and geographically, his research encompasses sound studies, folklore, anthropology, public humanities, Central America, Appalachia, Black American music, immigration, tourism, and timbre among others. His writing has been selected for presentation at SEM-SEC 2020 and the inaugural String Band Summit 2022. Christopher holds a BA with honors and a double concentration in Anthropology and Music and Culture from the University of Tennessee, Knoxville. He also composes and performs on the guitar, banjo, and electric bass.

  • photo of Anna Wright

    Anna Wright

    Before joining the PhD in Musicology and Ethnomusicology program at Brown, Anna studied at the University of British Columbia, where she earned a Master of Music in saxophone performance and a Master of Arts in ethnomusicology. Originally from Scotland, Anna focusses on Scottish traditional music and is particularly interested in ways music is utilized to encourage mass agency under political, nationalistic, or dissent-driven circumstances.

  • photo of Gabriel Zuckerberg

    Gabriel Zuckerberg

    Gabriel is a strings- and keys-musician from New York, and he studied with Theodore Levin at Dartmouth College. Since 2018, Gabriel has been pursuing a preservation and music analysis project with the Romaniote communities in Greece and Manhattan and, since 2020, a preservation-analysis collaboration with Aniruddh Patel. A klezmer musician and aspiring Yiddishist, Gabriel is interested in musics of the Jewish diaspora. He’s now starting ethnographic work with LGBTQ+ klezmer and Yiddish musicians. At Brown, Gabriel is interested in exploring how aesthetics are tied to social identity, intersections of music and language, and musical hallucinations.